Production during 2008 was divided into 2 categories: Major Projects and
Eight Major Project bowls were created. All had multiple hollows. Four
of these explore the new concept of “merged hollows” –
these are multiple hollows that are partially joined at their sides.
The wood for the 2008 bowls is from 3 sources. Numbers 1 and 2 are carved
from Vermont butternut. The blanks are half sections of a Windsor chair
seat plank given to me by Dave Sawyer, probably around 1984. Number 6
is northern Mississippi sassafras. This elongated 3 hollow server is an
endgrain seat blank cutoff. It comes from the same collection of sassafras
used for all of the 2007 bowls. The remaining 2008 bowls are carved from
air-dried butternut from middle Tennessee.
In 2008 I began to focus more attention to the vertical sides and the
undercuts that join the sides to the bottom. In these areas I experimented
in creating what might look like random semi-geometric crystalline planes.
As I developed this concept I was partially inspired by contemporary architectural
forms, particularly the work of Ted Geary.
Also, in 2008… During a month-long visit to Japan I was introduced
to the 20th century Zen rock gardens created by Mirei Shigemori in and
around Kyoto. As a young man Shigemori studied hundreds of traditional
rock gardens, many at famous Buddhist temples throughout Japan. In his
gardens he created visionary work that was very contemporary, but, as
with much great art, also deeply connected to tradition. Mirei said that
fine art must be “eternally modern… If you don’t create
something modern, it will never become a classic.” This is something
that I think about, and also hope to accomplish.
Each Major Project bowl has been signed with the initials DL and the year
‘08. For this signature engraving I use a single cut kolrossing
technique derived from northern European folk art. As with the 2007 work,
the signature on each Major Project bowl made in 2008 is also numbered
using inset copper studs located near the DL initials and the year. The
number of studs indicates the bowl number. They are set in clusters of
1 – 5 studs. The studs are slightly inset below the bottom surface,
so that they cannot scratch a table top.
Purchase of Major Project bowls includes a signed Certificate of Provenance
and an identifying photo CD. As with the 2007 work, these Major Project
pieces are intended to have dual functions -- as collectors art and as
special occasion serving ware. All of the 2008 Major Projects have a title,
which is within quotation marks on the individual web page descriptions.
In 2008 I also produced 24 shallow servers that I call 3-D Studies. These
pieces were carved from planks milled to a thickness of 1 inch. 22 are
Tennessee sassafras, 2 are black walnut. The 3-D Studies have 1 to 3 hollows.
Most of these were presented as gifts during Country Workshops Japan Tour
to our various hosts and for personal friends during my month in Japan.
Click here to see the gallery of 3-D